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Translation for 'Bestandsvolumen' in the free German-English dictionary and many other English translations. Many translated example sentences containing "Bestandsvolumen" – English-German dictionary and search engine for English translations.
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Are you missing a word, phrase or translation? Submit a new entry. Compile a new entry. No usage examples were found in the Internet. The entry has been added to your favourites. The pedal gives a nice amount of resistance when you step on it, which translates to better control and smoother fades. It gives you a broad and smooth volume sweep without any loss of your tone—the most important quality in any volume pedal. The FC7 from Yamaha is the most affordable option on this list.
You can even use it with intelligent lighting or drum machines—anything that has an attribute you want to assign to a footswitch. In addition to the standard controls, this pedal also has the Fortissimo Function. This lets you add a bit of extra accent to specific sections to make them stand out. This can be especially handy for synth players and DJs. As you might expect from a pedal in this price range, the FC7 is made of plastic. The hard plastic used for the exterior is thick and resists cracking, and the connection plate, spring, and other interior components are made of high-quality materials that are built to last.
When you plug things back in, plug the pedal in first, then turn your instrument on. Things should be working better. The extra distance between the base and the pedal gives you a wider viable range of effect control. The clean simplicity of the pedal makes it very easy to use, too. The interior circuitry of the Little Alligator , meanwhile, makes sure that the taper is smooth and consistent throughout, with none of the jumps some other pedals suffer from.
The only thing this pedal is lacking is a secondary output for a tuner—not necessarily a deal breaker, but an odd omission gave the strength of the pedal in other areas. It does have an external minimum volume control that makes it easy to switch from rhythm to lead and gives you a wider viable effect range.
Sound-wise, the Little Alligator is wonderfully transparent at all dynamic levels. This transparency also makes it extremely versatile. You can use this in any style or genre, and it will function just as well with either guitar or bass.
If you use other effects pedals, as well, you can put the Little Alligator anywhere in the signal chain without impacting the sound of anything that comes before or after it. Buying a pedal that costs less than fifty bucks can sometimes be a gamble, even with a relatively simple device like a volume pedal.
With this EP-2 from Valeton , though, you not only get a reliable volume pedal but also an expression pedal in the same device, and all of this for an easily affordable price. The internal circuitry detects the output source automatically and makes changes accordingly, allowing them to simplify the overall design.
You can use this pedal with a lot of different instruments, including familiar choices like guitar and bass but also things like electronic drum sets. Rather than using traditional electronics, it operates with a magnetic Hall sensor.
When you press the pedal, only the magnet moves. The VCA reads the information conveyed by the Hall sensor and responds accordingly. Not only does the VCA give the pedal more precision, it also eliminates the pesky signal noise that you can sometimes get with electronic circuitry.
There is no frequency loss when you use the Lehle Mono pedal. The volume control goes from dB to 0dB and gives you a smooth and consistent taper throughout that range. The auxiliary output is buffered, making it ideal for either a tuner or a secondary amp. The exterior design of this pedal is more straightforward. All of the connections and controls are on the back of the pedal, including a dial for adjusting the gain.
The overall construction of the casing is solid and consistent. Lehle pedals, in general, are considered to be practically unbreakable, and this model is no exception to this rule. No matter how rough you tend to be on your equipment, this little guy can take it.
When it comes down to it, the Lehle Mono pedal gives you exceptional power and precision compared to more traditional volume pedal designs. This pedal is based on the Boss FV, a pedal that has served as the industry standard for over a decade.
The aluminum die-cast case is far more rugged and road-worthy than plastic options. The pedal mechanism has an incredibly smooth action, too, which makes it both more comfortable to use and easier to control. The drag control on the side of the pedal lets you alter the amount of resistance to suit your style. The FVL is also a very versatile pedal. It has an expression output, meaning it can be used with any expression-compatible equipment you may have in your arsenal.
It can be used as both a volume and an expression pedal at the same time, even—a handy feature for gigging professionals. It also gives you more output options than most volume pedals, with one each for the main signal and the expression as well as a dedicated tuner output. One reason the FVL is a contender is that it will only impact your sound when you want it to. At just over a pound and only six inches long, its super-compact design means it can fit in any set-up and is incredibly easy to transport and store.
It can also function as an expression pedal, with an auxiliary output for plugging in effects. It has an internal pot that you can use to adjust the values, allowing it to work with a wider range of effects. You can also switch the heel and toe positions, a more logical position for some effects. This secondary input can also be used as a tuner output for silent tuning of your instrument.
The pedal action on the X Mini is controlled with a low-friction band drive. It also gives you a smooth and sensitive response, with an even swell throughout the dynamic range. Within the range it does have, though, it instantly reacts to changes in your foot pressure. Dunlop pedals are known for their solid, smart build. This particular little pedal uses an aluminum chassis that protects the internal components from damage, even from most impacts and drops. You can adjust the rocker tension, too, if you want it to be more sensitive or offer more resistance.
The small size of the DVP4 does limit the amount of external space available for the knobs or toggles on other volume pedals, which does give this pedal a slightly smaller effective range. If you need a stereo option, the Yamaha FC7 is a good one to go with. The pedals intended for use on keyboards are usually priced lower accordingly. As we said before, the choice between these pedals really comes down to your needs as a player. When it comes to high-quality pedals made by reputable manufacturers, like all of the options on this list, the differences in price are going to be more related to the details and features of the pedal than they are a measure of quality.
This is perhaps best demonstrated by the two Ernie Ball pedals that top the list. The difference in price is mostly because of the smaller build and reduced features on the VP Jr.
In terms of overall performance, the Ernie Ball MVP is the best volume pedal for the majority of users. The FC7 from Yamaha is the cheapest priced option we included in our reviews.
There are a lot of great volume pedals out there, but the eight listed above are a great place to begin your search. Whatever instrument or genre you play, a volume pedal can help you to bring more dynamic sensitivity and nuance to your sound and is a fantastic way to take your sound to the next level. That being said, all of these pedals are attractive options, and your particular best pedal might be different. That depends on the pedal. That leads to the question of what you should buy so you can use them.
Double check whether it uses an outlet or a battery. You can get power adapters designed specifically for pedals on Amazon for less than ten bucks each. Most volume pedals can be muted by pressing down on the heel rather than with the toe. You may also need to turn the minimum volume knob completely down. On models that have a tuner output, the signal will also be silenced when you use it, allowing you to tune without playing it to the crowd. They let you control the attack, sustain, and decay of your notes.
On electronic instruments, they can also be used to control the speed and range of effects like delay and reverb. Many volume pedals are also expression pedals, and in many cases, you can use them interchangeably. Pedals that are designed specifically as expression pedals will typically have more internal controls for customizing the effects. They simply determine the amount of the output and not the way it sounds. This makes a true bypass less necessary than with other pedals that may have a more significant impact on how your instrument sounds.
As long as you have a pick-up on your instrument, you can hook it up to a volume pedal. This means these pedals can work just as well with a mandolin, ukulele, acoustic guitar, or any similar instrument.
You will want to look for a pedal that has an emphasis on low signal noise to make sure you get a clear signal. First, make sure that all of the connections are secure. You may also want to open up the pedal and make sure that none of the wires are rubbing each other when you play. If they are, you can secure them using zip ties. Impedance is a measure of the resistance offered by an electrical circuit in response to an alternating current.
It mostly comes into play in how well your equipment works together. Electronics that have a similar impedance will be less likely to cause damage to each other because of imbalances in the amount of current each one can handle.
A high impedance pedal will work best with passive pickups, which tend to also have a similarly high resistance.
This transparency also makes it extremely versatile.